Post by s***@hotmail.comThere are a couple of online genealogies of this family.
One on Gallica in the 1865 edition of "Annuaire de la noblesse de
France et des maisons souveraines de l'Europe" pages 223-228. There are
one or two bits I don't understand, and one or two bits that look
doubtful.
The material seems to be mostly copied from Burke's Peerage. The de Vismes
family made it into Burke's Commoners (vol. 4, p. 320-322) but then somehow
into Burke's Peerage, at least for a while. I did not find them in 20th c.
editions of the Landed Gentry, though.
A sketch, based on this material, Ruvigny, and various notices in the Times,
can be found here:
www.heraldica.org/topics/britain/vismes.htm
According to Ruvigny, Elisee William received recognition of a title of
count on 1 Sep 1838 from the French government. What exactly that means,
and on what basis, I do not know. There doesn't seem to have been a
ancient noble family "de Vismes" before 1789, although there certainly
was a commoner family of that name in Amiens. One of them was an alderman
of Amiens in the 17th c., his grandson Pierre Martin de Vismes became
a tax farmer and bought the ennobling office of secretaire du Roi in
1757; two of his sons dabbled both in tax collection and in music,
one being Anne Pierre Jacques de Vismes de Valguay who was director
of the Paris opera in 1778, when the arrival of Gluck's music provoked
fistfights among opera fans.
ObRoyalty: in Sofia Coppola's movie Marie Antoinette, which I very much
liked, it was lovely to hear an excerpt of Rameau's Les Boreades, but
it off the mark. The problem was not so much that Les Boreades was in
rehearseal when Rameau died in 1764 and was never performed (Marie
Antoinette arrived in Paris in 1770); more to the point, Gluck's arrival
owes much to the young queen's tastes (she had learned to love his music
in Vienna), and the "revolution" he brought about in French opera can
certainly be credited to her. Having just seen Iphigenie en Tauride
in a stunning production by R. Carsen, I appreciate much more how
revolutionary (and violent!) Gluck's music was, and cannot help but
wonder if the queen did too.
Anyway, the entry in the Annuaire de la noblesse de France seems to
claim a de Vismes as secretaire du Roi related to the English branch,
but the identification cannot be correct. There is only one secretaire
du Roi by that name, and his ancestry does not match with the English
de Vismes, whose progenitor alledgedly came from Normandy in any case.
Post by s***@hotmail.comThe other on Google Books in the "Nobilities of Europe" pages 397, 398
and 222. But, as is usual with google books, it wont give page 222,
which contains details of the current Count.
He also has an entry on them in his 1914 Titled Nobility of Europe.
At this point, it seems that the pretensions of the de Vismes are old
(go back to the 1st half of the 19th c.) but are likely to be completely
mythical.
--
François R. Velde
***@nospam.org (replace by "heraldica")
Heraldica Web Site: http://www.heraldica.org/